Chelsea Jade Campbell is a multi-sensory creative director. Her work strives to find new ways for brands to connect with audiences, while adding value to culture. With tech as the vehicle, she likes to sneak craft into every experience as a measure of authenticity. Currently serving as the Group Creative Director at Studio Resonate, an in-house audio-first creative consultancy within SiriusXM, she leads a team of talented creative directors and collaborators, designing immersive audio advertising and pioneering sonic strategies for clients.
Prior to joining Studio Resonate, Chelsea spent 10+ years on the agency side working in experiential, strategy and design. Her work has been featured in the New York Times, The Guardian, PSFK, UrbanDaddy, Complex, and has won prestigious categories in Addys, Effies, International Sound Awards, Ex and Event Marketer Awards.
As a published thought leader and industry speaker, Chelsea has been featured on panels discussing The Power of the Disruptive Brand (Advertising Week, 2018), There is No Such Thing as a Sellout (WeWork, 2019), and moderated Audio is the New Social (Advertising Week, 2020). The rise in streaming audio consumption during the pandemic inspired an op-ed publication around music's role in our environment and influence over mindset. Most recently, Chelsea has written for AdWeek on why every creative should be thinking about audio in their campaigns.
Raised in London, she is currently based in Amsterdam, NL.
She doesn’t know what the future looks like but she is working at the edge of the present.
Say hello at chelseajadecampbell@gmail.com
Prior to joining Studio Resonate, Chelsea spent 10+ years on the agency side working in experiential, strategy and design. Her work has been featured in the New York Times, The Guardian, PSFK, UrbanDaddy, Complex, and has won prestigious categories in Addys, Effies, International Sound Awards, Ex and Event Marketer Awards.
As a published thought leader and industry speaker, Chelsea has been featured on panels discussing The Power of the Disruptive Brand (Advertising Week, 2018), There is No Such Thing as a Sellout (WeWork, 2019), and moderated Audio is the New Social (Advertising Week, 2020). The rise in streaming audio consumption during the pandemic inspired an op-ed publication around music's role in our environment and influence over mindset. Most recently, Chelsea has written for AdWeek on why every creative should be thinking about audio in their campaigns.
Raised in London, she is currently based in Amsterdam, NL.
She doesn’t know what the future looks like but she is working at the edge of the present.
Say hello at chelseajadecampbell@gmail.com
